In this work Barbara depicts the Tingari women – represented by the U shapes– as they work within their country, gathering pintalypa
or bush apples, and erecting wind-breaks.
The iconography used can also be read as representative of the body paint worn by Ngaanyatjarra women whilst performing these Tingari ceremonies: vitally important aspects of the continuity of cultural practice, in that they form a major part of the investiture teachings of the post-initiatory, as well as providing explanations for contemporary customs.
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